Assahafa.com
Abderrahmane Adraoui
Due to high temperatures, political and media observers are constantly facing a mountain in a hostile ton subtile surrounding the Royal Maroc in certain French media, notation in quotes and prestigioux magazines such as Le Monde and L’Express.
This is not a simple explanation as a simple editorial or a divergence of opinions, but also as a strategic media calculation, based on a principle in the old and new view: empoisonner the publique.
This part, these media are not available in the publishing articles that criticize the personnel of Roy Mohammed VI, the tenant is responsible for the developments of politics, economics and society, and all you are happy to ask about the question about the affairs of the country, today. Many people can dispose of the staff of journalistic criticism to protect a direct political attack.
On the other side, and then simultaneously, on lit in the old days of dithyrambic articles on the héritier Prince Moulay Hassan, the presenter as a «modern prince» and «the modern visage of Maroc», is a self-proclaimed auto-protocol, with universitary education and is calm.
This contradiction of the flag has given me a legitimate question: help us in an innocent media network or in a tentative French subtile to influence the world in Morocco?
Non-arrival-pension records…
Excessive louangs of the prince’s hair are not embroidered with a proven affection, but a political message is suggested: « France has options options », or this mise-en-scène I’ll tell you what’s on the present.
This disc, in the substance, sends the ID of a door transition, not by a coup d’état or a direct pressure, but in the presence of the publique opinion, while in the national world, to accept a previous scenario.
France, which has a large part of its traditional influence in Africa and which has tensions without prior relations with the Sahel and Maghreb payments, has similar priorities, and Morocco does not change this country.
The Marocaine market is not possible…
It is important that the tenants of this discography in Paris are crowded together, because the Maroc is a market and these institutions do not use the fruit in a journal or magazine analysis. Moreover, the Marocains, which have a historical background due to the duplication of the French rhétorique, cause more scientific knowledge of the mechanics of manipulating soft power by the media and other sensitive devices to create a much more stable or difficult choice.
The constructive criticism is the exhibition, the main selection, the hypocrites and the exploitation of contradictions at the beginning of the history that does not appear to be consid- ered by the good press; It can be manipulated by the media.
Because certain French media are not connected to the flat screen, there is a tentative effect that influences the course of payments that choose it and a year of diversifying the parts and sharing it in a world. multipolaire.
If Paris computes on the media to modify the audio file, it ignores the evidence: the Maroc has changed… and it is not more available in the Parisian bureaux
